- For Ninja Gaiden: Dragon Sword on the DS, GameFAQs has 2 guides and walkthroughs, 6 cheat codes and secrets, 16 reviews, 55 critic reviews, and 3 save games.
- The Hayabusa Ninja Clan was founded by the Dragon Ninja, warriors descended from the Dragon Lineage bloodline. Since ancient times the Dragon Ninja had inhabited Skyrim near the place where their ancestors had sealed away the Ancient Dragon Scrolls.
- Forum Topic: View official forum topic for Hack Ninja Gaiden: Dragon Scroll here. Recent comment(s): 18 Aug: nice: Box Art. Similar Games Have you tried: Ninja Gaiden (NES) 525 points (1822) Ninja Gaiden (Game Gear) 400 points (1419) Ninja Gaiden II: The Dark Sword of Chaos (NES).
The story of the Xbox game deviated from the original NES Ninja Gaiden trilogy by a few small retroactive continuities. This game and its sequels Ninja Gaiden Dragon Sword (Nintendo DS) and Ninja Gaiden II / Ninja Gaiden Sigma 2 (Xbox 360/PS3) serve as prequels to the original Ninja Gaiden series, both series are connected to the Dead or Alive. Database match: Ninja Gaiden (USA) Database: No-Intro: Nintendo Entertainment System (v. 20122) File SHA-1: CA513F841D75EFEB33BB8099FB02BEEB39F6BB9C.
May 9th, 2010
What I’ve come to appreciate through watching Ninja Scroll: The Series is the expertise of Yoshiaki Kawajiri and Yutaka Minowa, the director and artist of the original Ninja Scroll (1993). Yoshiaki Kawajiri has directed some of my favourite anime productions including the Vampire Hunter D remake Bloodlust, the TV series for X and the neo-noir sex thriller Wicked City. Yutaka Minowa also worked on Vampire Hunter D:Bloodlust and Wicked City, as well as the X movie adaption and the Hellsing-esque Devil May Cry animated series. Despite taking on different roles, the duo share an accommodating sense of style where Yoshiaki Kawajiri’s dark, mistrusting worlds lends themselves to Yutaka Minowa’s diagonally-drawn, pointy-chinned character designs.
Ninja Scroll and Wicked City, two of my favourite titles that Kawajiri and Minowa worked on together, are such interesting movies because their characters sought out their own motives questionable to their roles as heros and villains. Dakuan and Jubei, for instance, may be fighting on the same side, but only because Dakuan poisoned Jubei and baited him with an antidote to lure him into following orders. These characters disobey their hero and antagonist roles to protect their own interests and undermine the viewer, creating sinister worlds filled with only the guilty.
I rant about Kawajiri and Minowa to set the contrast for Ninja Scroll: The Series which, for all intents and purposes, dumbs the movie’s serious tone down to something akin to a Saturday morning cartoon.
Ninja Scroll: The Series is set in an unrelated, alternative dimension to the movie. Jubei and Dakuan reprise their roles, but meet as strangers with no prior history. Included in the cast are two new protagonists, Shigure and Tsubute who set the kid-friendly tone. Shigure is a young “ninja girl” looking for meaning and strength in her life—a representation of a child entering adulthood. She’s quite a good character compared to the other performances and bears more than a passing resemblance to Momiji from Ninja Gaiden Dragon Sword. Tsubute, on the other hand, is an anime archetype: the young rascal with a tendency to flair up. He naturally provides the comic relief and is voiced by Scott Menville who often plays these sorts of roles.
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The premise of the story is very simple. The lone traveler, Jubei, on an elder’s dying wish, is given the mystical dragon stone and told to deliver it to the light maiden Shigure. He soon finds Shigure in an isolated mountainous village and hands her the stone. The stone is seemingly a pendant of misfortune as Shigure’s village is attacked shortly after Jubei hands her the stone. The attackers, from various ninja clans, are in pursuit of the stone, so she flees the village, soon running back into Jubei, accompanied by Dakuan who seems to take pleasure in pestering Jubei. Later Tsubute joins the party and the stone is split in two. The foursome hold on to one half, but lose the other to the Hiruko Clan. The rest of the story follows the merry band’s pursuit to find the other half of the stone while protecting their own from various ninja clans.
Since different clans are doggedly after the dragon stone (for reasons unclear), the majority of the 13 episodes focus on the group defending the stone from various mutant ninja beasts. As such, each episode has largely the same self-contained structure of introducing a new handful of new ninja mutants and concluding with their defeat at the hands of Jubei. It’s a little formulaic, but a reliable template nonetheless.
As you’ve likely gathered from my explanation, there’s little backstory to flesh out why everyone is after this supposedly mystical stone. Each episode just pulls a new slew of derivative, mish-mash villain archetypes who are unflinching in their rage against Jubei. It’s all just pretty mindless really. Because each episode introduces a fresh bevy of goons before quickly removing them from existence, they become disposable fodder in the thirteen episode rotation.
Although the protagonists tend to have some form of dimension to them, the villains are generically churned out, diluting the sinister essence ingrained in the original cast of villains. The introduction scenes for Yoshiaki Kawajiri’s vibrant cast of villains would always give you goosebumps because of their selfish motives and interesting character designs. Here, they’re just random freaks with no texture or detail, spurting “I’m going to kill you, bastard!” lines. It all plays out similarly to a Saturday morning cartoon, creating a disconnect between the adult nature of the content and cartoon presentation.
Several of the villains are unclothed or are designed in sexually suggestive ways, and the majority end up spliced in half, decapitated or stabbed by Jubei’s blade (as much as he prefers pacifism). Throw in a couple of sex scenes, innuendo, tame eroticism and references to S&M culture and it quickly grows into something uncomfortable and uncanny. By appearance, Ninja Scroll: The Series looks like a kids show, yet it contains all of this adult content. Despite being set in feudal Japan, all the characters speak in an unrestrained modern vernacular too.
Through all the slicing and dicing, the relations between the group of protagonists strengthens and the characters do evolve a little which add a layer or two to a fairly vanilla cast. The ninja girl matures into her adult role, the prankster kid learns to be responsible, Dakuan softens up and even though Jubei’s story ends where it began (with him looking for a place to sleep), he gains a little optimism through the whole affair.
There’s a few strange quirks which are difficult to avoid mentioning. The number of key frames in the battle sequences tends to pick up in the final few episodes, leaving the earlier episodes feeling rough and the level of quality throughout uneven. Dakuan’s cells are basic and ugly to look at in comparison to Shigure who seems to glow with an added radiance. In fact, Dakuan’s role overall is strangely played down. He’s completely overshadowed by the younger protagonists and is more of a pest than anything. Even Jubei is kind of overshadowed too. He doesn’t say much and only becomes interesting when he’s slicing heads.
Taking it for the screwed up kids cartoon it is, Ninja Scroll: The Series isn’t so bad. I partly enjoyed this shallower tale, even though I wouldn’t recommend it. It’s worth adding that there’s a substantial amount of extras on the DVDs (interviews, sketches, time lapse drawings for the cover art for each DVD) and usually 4 or 5 episodes per disc, so you won’t feel entirely ripped off. Still, this series doesn’t deserve mention against the work of art that is Yoshiaki Kawajiri and Yutaka Minowa’s original Ninja Scroll. If you haven’t seen that movie, then go rent it out now, otherwise just avoid this mess.
Tags: ninja scroll: the series
| System: DS | Review Rating Legend | |
| Dev: Team Ninja | 1.0 - 1.9 = Avoid | 4.0 - 4.4 = Great |
| Pub: Tecmo | 2.0 - 2.4 = Poor | 4.5 - 4.9 = Must Buy |
| Release: March 25, 2008 | 2.5 - 2.9 = Average | 5.0 = The Best |
| Players: 1 | 3.0 - 3.4 = Fair | |
| ESRB Rating: Teen | 3.5 - 3.9 = Good | |
Ninpo, the Ninja Gaiden magic, is also available in Dragon Sword. You'll learn different spells from Ninpo Scrolls, but you can only use them when you've collected Ki power (usually after a save point).
Most of the Ninpo Scrolls are purchased from the old, wise merchant called Muramasa. The Art of Inazuma lets you attack with lightning bolts; The Art of Inferno creates a ball of fire you can direct towards the enemies; And The Art of the Fire Wheel burns the enemies' heart and soul. There are others you'll obtain with time, including The Art of Divine Life, which refills your health gauge when things get sticky. Using magic is always fun and very rewarding. Unfortunately, I didn't feel I got to use it enough; most of the time you can only use Ninpo once between save points. Sometimes you'll be able to collect more Red Essence from the enemies you defeat, but standard enemies aren't very generous that way.
It takes about six to nine hours to complete the game in normal mode, depending on your skills. You can connect to the servers through the Wi-Fi connection and submit your score. That way you'll be able to compare your dexterity with other people around the world; you'll be amazed to see how good some people are! Players on the top of the list have finished the game in three hours and a half without dying a single time.
The game hides a few prizes throughout. When you hear a bird sound, you need to shout or blow at the microphone. That will make a magical blue bird show up and fly all over the screen. Without letting it hit you, you have to slash it, and it will drop a numbered wooden talisman. These talismans contain new features and prizes. When you finish the game, you'll unlock a new difficulty mode. This will be appreciated by many, as the normal difficulty is not much of a challenge.
It's very easy to immerse yourself into Ninja Gaiden: Dragon Sword. Not only is the control scheme unique, but the presentation is also very appealing, and the soundtrack puts you in the middle of a good action movie, except it's actually a video game. You'd never expect that from the DS, but Tecmo went for the whole package with their first action / adventure title on Nintendo DS: splendid presentation, engaging storyline, innovative controls, and a superb soundtrack. The characters don't speak much; they just say things like '...uhm,' '...hmm,' 'ah?,' '...ha!' The player has to read the dialogue most of the time. Luckily, it's not very long at all, so it never got annoying. Just a few times you'll hear the characters talk…but in Japanese. I actually liked that a lot; it adds authenticity. After all, why would Ninjas and other clearly Japanese characters speak English?
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Most cutscenes are composed by beautiful comic-style drawings, and the main gameplay happens in three dimensional-looking environments made of two-dimensional elements. It's difficult to describe, but it looks great, particularly for the DS. The only problem is that sometimes there's not a clear sense of depth and Ryu lands where you least expect it after a jump. Sometimes he and the enemies become really small when they're further away, making the fighting a bit more arduous. Overall though, the game sports high-quality visuals with lots of neat details within the multiple environments shown in the game.
Ninja Gaiden: Dragon Sword is possibly the best action game ever made for Nintendo DS. Tecmo did an outstanding job with it, and most gamers should be more than happy if they decide to pick up the title. If you enjoy action on-the-go, pack up your DS and a copy of Ninja Gaiden: Dragon Sword, and you're good to go!
By Maria Montoro
CCC Site Director
The game shines with really nice environments throughout. The comic-like screens are unique and very appealing.
The controls are totally innovative for the DS. Everything is accurately controlled with the stylus. However, it can get tiring and give you 'DS-elbow' syndrome.
Great action music, entirely suitable for this kind of game. It's very professional and has a nice movie feel. The characters barely talk and when they do it's in Japanese; it makes it authentic.
Play Value
Very few DS titles are as good and engaging as this one. If you're looking for a console-level action game for the DS, this is what you were looking for!
Not an average. See Rating legend above for a final score breakdown.
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Game Features:
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